RUATAN WAYANG SAPUH LEGER BAGI ANAK YANG LAHIR WUKU WAYANG SEBAGAI TRADISI LELUHUR MASYARAKAT BALI
DOI:
https://doi.org/10.59672/widyadari.v26i2.5568Keywords:
Rituals, Sapuh Leger, Traditions, Rural SocietyAbstract
Wayang is not only known in Bali but is supported by the majority of Indonesian people with various distinctive and high quality styles so that it is said to be one of the National cultures. A very interesting ancestral tradition, relating to wayang performances that now exist in rural communities. This is a very unique phenomenon, where according to ancestral tradition it is believed by rural communities that people born in wuku wayang should undergo a large wound ritual called Sapuh Leger. Specifically, the Sapuh Leger Wayang performance has characteristics such as; performed for people who were born in wuku wayang, the story is told by Dewa Kala who preys on children born in wuku wayang, the equipment and offerings are quite complicated according to the rules stated in the Wayang Sapuh Leger letter, then this ruatan can only be led by a master puppeteer who knows contents of the lontar dharma Pewayangan and Lontar Sapuh Leger. The problems of this research are (1) the background to the holding of the Sapuh Leger Wayang performance; (2) the function of the Sapuh Leger Wayang performance and (3) the meaning implied in the Sapuh Leger Wayang. This research includes descriptive-qualitative research formatted in a special study. The focus of the research study entitled Sapuh Leger Wayang Ritual as an Ancestral Tradition of Children Born in Wuku Wayang in Rural Communities in Bali. Data were analyzed using descriptive-qualitative methods with steps as stated by Lacey and Luff (2001) in Patilima (2005:91), which include: data transcription, data identification and reduction, data classification, data description and interpretation, data triangulation, presentation of final results
Downloads
References
Bakker, 1984, Filsafat Kebudayaan, Yogyakarta, Kanisius
Dharmayuda Cantika, 1991, Filsafat Budaya Bali, Upada sastra.
Dibia, Wayan, 2012, Geliat Seni Pertunjukan Bali, Widya Pataka, BPD Propinsi Bali
Haryanto,1988, Pertiwimba Adiluhung Sejarah dan Perkembangan Wayang, Djembatan
Koenjaraningrat, 1982, Sejarah Antropologi I,U.I Press
Kusuma Ariani, Dkk “Pengaruh Pentas wayang Kulit di TV, STSI Denpasar
Mardana, 2004, “Studi Pertunjukan Wayang Bali” Jurnal
Muada,2019, Wayang Gedog Sudhamala, Jurnal Sugriwa IHD Denpasar
Said, 1982, Etika Masyarakat Indonesia, Jakarta, Pradnya Pramita.
Sri Astanta, 1983, Wayang Kulit Jawa Fersfektif filosofi dan Nilai Kemanusiaan, PKB XV
Sugriwa,1988, Pakem Wayang Parwa Bali, Yayasan Pewayangan Daerah Bali
Sumandi,1990, Pakem Wayang Kulit Bali, LISTIBIYA propinsi Daerah Bali.
Timoer, Soenarto.1990 “Ruatan di tinjau dari Kebudayaan, Dalam Gatra Majalah, Jakarta
Wiryamartana, I Kuntara, 1977, Permenungan Tentang Lakon Ruatan, Yayasan Kanisius
Wijaksana,1996” Wayang Lemah, Nilai-nilai Budaya dan Agama, STSI Denpasar
Zoetmolder,P.J 1985 Kalanguan,Sastra Jawa Kuna, Selayang Pandang, Djambatan
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Widyadari

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Hak cipta mencakup hak eksklusif untuk mereproduksi dan mengirimkan artikel ini dalam semua bentuk dan media, termasuk mencetak ulang, memotret, mikrofilm dan reproduksi serupa lainnya, serta terjemahannya. Reproduksi dari bagian manapun dari jurnal ini, penyimpanannya di database dan transmisinya dengan bentuk atau media apa pun, seperti salinan elektronik, elektrostatik dan mekanis, fotokopi, rekaman, media magnetik, dan lain-lain, akan diizinkan hanya dengan izin tertulis dari penerbit jurnal.