FILSAFAT TARI DALAM KEBUDAYAAN BALI

Ni Made Pira Erawati

doi:10.59672/widyadari.v25i1.3663

Authors

Ni Made Pira Erawati Universitas PGRI Mahadewa Indonesia

DOI:

https://doi.org/10.59672/widyadari.v25i1.3663

Keywords:

Philosophy, Balinese Dance, Balinese Culture

Abstract

Balinese dance is an ethnic Balinese dance that is imbued with Balinese Hindu cultural values, as an embodiment of Balinese cultural character. The characteristics of Balinese culture are socio-religious which contains its own philosophy which can be categorized as sacred art and profane art. With the categories sacred and profane, Balinese dance is classified into wali, bebali and balih-balihan arts. As a sacred art, Balinese dance is a treat of beauty to the forces of nature, and as a profane art, it is a treat of beauty to society. This article aims to understand the philosophy of dance in relation to Balinese culture which is based on Hindu religious teachings. The problem that is the main subject of the study to explain this goal is, what is meant by Balinese dance, and what is its relationship with Balinese culture. The study of the problems above is based on the results of observations of Balinese dance which were analyzed using the approach of art philosophy and aesthetic theory which is divided into morphological aesthetics and psychological aesthetics. The results of this study show that Balinese dance contains a philosophy of life that is imbued with the teachings of Balinese Hinduism in realizing truth and purity aesthetically

Downloads

Download data is not yet available.

References

Ali, Matius, 2010, Filsafat India: Sebuah Pengantar Hinduisme dan Budhisme. Tangerang: Sanggar Luxor.

Arini, AA Ayu Kusuma,2014, Legong Peliatan: The Pioneer of Balinese Dance Promotion. Denpasar: Suwasta Nulus.

Bandem, I Made. Frederik Eugene deBoer, 2004, Kaja dan Kelod Tarian Bali Dalam Transisi. Yogyakarta: Institut Seni Indonesia Yogyakarta.

Copeland, Roger and Marshall Cohen, 1983, What is Dance. New Yoerk: Oxford University.

Dibia, I Wayan, 1999, Selayang Pandang Seni Pertunjukan Bali. Bandung: Masyarakat Seni Pertunjukan Indonesia.

Dibia, I Wayan, 2020, Ngunda Bayu: Teknik Pengolahan Tenaga Dalam Seni Pertunjukan Bali. Singapadu, Gianyar: Gria Olah Kreativitas Seni (GEOKS).

Eliade, Mircea, 1961, The Sacred and The Profane The Nature of Religion The Significance of Religious, Myth, Symbolism, and Ritual Within Life anfd Culture. New York: Harper & Row.

Gie, The Liang, 1996, Filsafat Seni Sebuah Pengantar. Yogyakarta: Pusat Belajar Ilmu Berguna (PUBIB).

I Komang Sukendra, P. D. F. (2021). Peningkatan Kualitas SDM Guru Melalui Pengembangan Pendidikan Menuju Era Society 5.0.

Moleong, 2011, Metodologi Penelitian Kualitatif Edidi Revisi. Bandung: Remaja Rosdakarya.

Putu Dessy Fridayanthi, I. K. Sukendra. (2019). Penanaman Nilai-Nilai Penguatan Pendidikan Karakter Melalui Pembelajaran Seni Budaya Pada Siswa Kelas XI SMA Negeri 7 Denpasar. 197–209.

Satori, Djama’an dan Aan Komariah, 2010, Metodologi Penelitian Kualitatif. Bandung: Alfabeta.

Sedyawati, Edi, 1981, Pertumbuhan Seni Pertunjukan. Jakarta: Sinar Harapan.

Subagiastam, I Ketut, 2006, “Jenis Seni Wali Mengiringi Upacara Yadnya Yang Dilaksanakan Oleh Umat Hindu di Bali”, dalam Mudra Jurnal Seni Budaya, Vol.9. No.2. September 2006. Denpasar: Institut Seni Indonesia Denpasar.

Sumardjo, Jacob, 2000, Filsafat Seni. Bandung: Institut Teknologi Bandung.

Wijaya Bandem, Suasthi, N.N.L, 1994, “Konsep Dasar Estetis Legong Kraton”, dalam Mudra Jurnal Seni Budaya, No. 2. Th 11, 1994. Denpasar: Sekolah Tinggi Seni Indonesia Denpasar.

FILSAFAT TARI DALAM KEBUDAYAAN BALI

Authors

DOI:

Keywords:

Abstract

Downloads

References

Published

How to Cite

Issue

Section

Make a Submission